I am a Student.

As a student at Marietta College, I must finish a capstone. Being an English and Art major, naturally I must do two. Fear not, this blog only involves my complicated thought process of the latter. My English capstone is too much of a mystery to even think about...

Sunday, 22 April 2012

FINISHED!!!

Ah, yes, as of two weeks ago, I am finished with my capstone. The four masterpieces are up and proudly displayed in Hermann. I was terribly nervous leading up to the opening, but I felt so much better afterwards. I will admit I had no idea what I would think about, seeing as my mind always returned to my capstone. Turns out, I can't think of anything and have a terrible case of senioritis. It's making everything impossible. Even though I have finished my capstone, I still have a fifteen page paper to write and that is quite a challenge.

My long wall with Poe, Austen, and Shakespeare

Byron and my Artist Statement is here (no, the fire extinguisher is not a part of the display)


On the bright side, my capstone is worth $1000! I have decided to sell them for $250 each for the originals, and $15 for a 8x10 print. I will have to wrangle with the pieces to make the prints (and get worthy pictures of them), but I already have a lot of people interested. Although it will pain me to see my pieces go after working on them for a whole year, I'm happy there are people out there who want them. I had plans to place them in a study one day, but I feel that I could always make more (ugh, so much work...) or create new fantabulous art instead! If I sell them, it officially makes me a professional artist and after eighteen years of studying art (yup, started when I was 4), it's absolutely worth it. I also like the fact that this is only a new chapter in my life, and this is the best way for it to begin!

Tuesday, 10 April 2012

SO...CLOSE...!

Oh, has it been an eventful two days. Yesterday, I hung all four of my pieces in the gallery, and let me just say they look pretty swell. They dominate their little corner quite nicely. As for my didactics though, well... let's just say they don't like me as much.

I first grammar checked them and prepared them for printing, which took about half an hour yesterday. I then couldn't get them into a PDF form, so I rushed to my room to fix it before running to the print shop, hoping they were still open. I printed them off the first time, waving off the idea for copies, and rushed back to Hermann to cut and place them next to my art. I then cut Janey's didactic wrong, so I knew I had to print them again.

Come to this morning, I went and reprinted them for Janey. Then fifteen minutes later, I got an email saying the print was too small and to print them again. My palm definitely met my forehead at this moment and I felt distressed.

This story has a happy ending, though! I just spent a good half hour in the computer lab in Hermann making them perfect. Now they're printed on the back of the prints I had earlier and much larger print. Trust me, if you can't read them now you must be on the other side of the room facing the wrong way. Now I must run off to choir and then hang my didactics, so I can officially pronounce that I am finished with capstone!

Tuesday, 3 April 2012

My Artist Statement

So I've been thinking, and I really don't like my artist statement. It's just... dry and boring, if you ask me. Here it is:


Stories are eternal. They connect us to the past and give enlightenment to the future. Every time one picks up a book and begins to read, the book comes to life. Yet people keep losing the relevancy of reading. Through my work, I want to modernize the idea of literature and show its importance even in an age which changes with every new upgrade of the smartphone. By first grabbing my audience’s attention by making William Shakespeare shirtless, I wish to then pose the question: who was he? After closer inspection, he is not only a man who lived hundreds of years ago, but someone who struggled with similar issues which still exist today. Literature has always held the answers for me, and through my work, I hope that others can see why.
My style shows my technique by loose brushstrokes because I prefer to see the process as well as the art. Photography can create a perfect image, but the imperfections show how a human created the piece. I also use everyday objects for mediums, such as thermal paper as seen here, to symbolize accessibility and I like the challenge of using ordinary mediums to make extraordinary works of art. With using receipt or thermal paper, most people throw it away, but I give it a new purpose through my art. I acquire multiple shades of darkness by either burning the paper, which turns it black because of a chemical on it, or spray hair spray on to the burned material to make it turn gray. Juan Francisco Casas uses ballpoint pens to make his realistic images, and has inspired me, as well as Ceal Floyer who makes receipts which create an image in the viewer’s mind as they read the list. This idea draws me not only by the use of thermal paper, but by showing how the simple parts of life can create art. My art differs from them because of how I am mixing in the history as well as how I am burning the thermal paper to make an image. The burning technique is based off of sfumato, which is used on oil painting, and I use it to contrast the hard lines on the receipts with soft contours that flow into seductive images of the writers.
I first found interest in the thermal paper while I studied abroad last year in London, England. While there, I saw another girl in my art class had tacked up a few burned pieces of thermal paper, but did not know what to do with them. They sparkled in the light because of the chemical and I found the material fascinating. When I came back to the States, I decided to accept the challenge of the burned paper and use it in my own way.
            My goal is to place an idea in people’s minds and give them the opportunity to think in a different way or form a different point of view. I never wish to make a person think like me or change their own ideas, but to simply suggest an alternative perspective and allow their imagination to grow. If at first you only see a person lying in a suggestive pose, what does it mean if it is also William Shakespeare? He was once a living, breathing person who made mistakes, had troubles, and fought to do his best. If you only read his poems or watch his plays, you are only getting a part of the story.

Blah, blah, blah, artsy fartsy nonsense. It just doesn't sound like me and really doesn't feel like it connects to my art. Therefore, I've written a new version which I'm hoping is better:

The gray skies of London may not seem very inspiring, but I found all of my inspiration squished on the damp streets of the busy city. It involved two ideas merging into one: a subject and a material. Every day I walked the five minutes to my flat from the Old Street Underground Station. Right before I turned down the street, I always noticed a billboard which seemed to change every month or so. This time, it read “secs sells,” with a picture of a car on it. I felt amused by the pun, but also wished that sex could sell literature as well as cars. My five months in London revolved around finding the homes of literary artists like Charles Dickens, John Keats, and William Shakespeare. I loved their stories and ideas so much that I wanted to spend my college career gaining an English degree to learn more. In the least, I wanted to open other people’s eyes to the magic of reading, and allow them to see its intrigue and temptation as I do.
            As for the material, I studied at the University of Westminster, which had an individual campus for art. I seemed odd to the British art students because of my double major, and I nervously tried to fit in amongst them. One day while doing critiques, one of the girls had burned receipts tacked to the wall of the studio. They were black and sparkled in the florescent lights because of the chemical on them. She did not know what to do with it, but I did. From there, I learned this paper was known as thermal paper. Although mainly used for receipts, it is unique for the chemical adhered to it so that when a certain amount of heat is applied, the chemical turns black. Later, I also learned the chemical could be destroyed by spraying hair spray or other adhesives onto the paper, changing it back to its original white.
            To me, writers are people who lived, suffered and died instead of simply connected to famous literary works. With minds full of imagination and vocabulary, they wrote what others feared to say. Through characters with drastic flaws or humorous attributes, writers create events which allow readers to escape and explore new worlds full of mystery and magic. They tempt us, tease us, and transport us. As the words of the famous writers such as William Shakespeare, Lord Byron, Jane Austen, and Edgar Allen Poe have hypnotized millions with their words, let my art before you entice your senses and become lost in the imperfections of thermal paper. Although I used no words within my pieces, I created sensual poses of the mentioned writers as a way to indulge and inspire. These writers were never only names, but people with faces and characteristics of their own. Through my art I hope to revive those who have past, and allow them to do all the talking.
My display is based off of what I have learned in the Art History Museum Practices class, which has taught me how to present exhibits, write didactics, and how to organize stored objects. I also wish to thank the entire Art Department faculty and my capstone class for their support.
 
Now, this one sounds more like me. I like how it explains my inspiration, but also focuses on the artwork. Granted, it doesn't talk about any of my research I did, but I don't feel it's terribly necessary. I also really like the last paragraph because it does explain my interest in working in a museum (or library, whatever floats my boat).

Thursday, 29 March 2012

Grace's Final Presentation

As a reminder, Grace's capstone is two dresses: one wedding and the other is for the maid of honor.

The wedding dress now has more detail including flowers and the bow. It needs to only be hemmed on the bottom. The bow looks a little odd, especially with the neat double row of roses along the bust. It seems like an afterthought, and might need a little attention to make the entire dress flow.

The second dress is almost finished except for the bottom hem. The pictures of Grace wearing it looks lovely, but it's harder to see when the dress lies flat. I look forward to seeing it on the mannequin.

As for the display, Grace has gotten rid of the curtains and the fifth sketch. She has cut out the "happiness" character and it's ready for display. She brought in foam board for the sketches, but Professor Powell to go get frames instead. Looking back on the notes from her last critique, this contradicts what she had been told, because she thought she only had to place the sketches on a board. Personally, I see where Powell is coming from, because the frames will look nicer, but if only the professors had not suggested foam board in her last critique and she could have gotten the frames earlier.

To get the frames, she has to go to either Crafts 2000, Framing Gallery on Front St, or RBS  next to People's News on Putnam. It takes about two weeks for the frames to be finished, so she has to do it as soon as possible. One drawing in each frame.

As a side note, Grace should make sure to thank the Theatre/Fashion Department for allowing her to use their facilities. Since she's not one of their students, they didn't have to give her as much as they have, and without them she would not have a capstone.

Overall, I'm glad to see how far the dresses have come, and look forward to the final exhibition in two weeks!

******

Final Byron
As for my project, I've sketched out Byron (finally) and he looks pretty spiffy. I should start collaging it up tonight.

Monday, 26 March 2012

Lord Byron Sketch

Sexy Byron
Here's my sketch of Byron. Any comments would be great! I want to sketch him tomorrow at the latest, so unless someone types furiously, DON'T DO IT!! I'm going ahead with it. Awesome, thanks.

Last Critique Done and Gone

Whoa, that went even better than I anticipated. It really just took two seconds to show my artwork so far and I got a lot of nods and murmurs of approval. It was extremely relieving after this weekend! I think I deserve a nap.

To give you an idea of my mental state, I spent all of Saturday and Sunday working on Eddy (aka Poe). s usual, it looked like less work than it was, and I pushed through. I messed up my sleep and eating schedule to get it finished. He was already half-way done by this weekend, and I pushed through out of shear determination. I wanted to even sketch out Byron on the large paper, but since I had to edit my artist statement, study for a test on Milton, and work in the Writing Center, it became a last priority.

Anyhoo, I should finish my project early, which will be fantastic.

Until then~!

Sunday, 25 March 2012

Egdar is Finished!

I have spent the entire weekend slaving over Edgar Allen Poe, and I have finally finished. I wanted to finish him because I have my critique tomorrow. I'm hoping they can help me look at the order I've been working on and help me make sure I'll be doing right with Byron. I wish to sketch him tonight so that I can show it as well. It'll be a busy night to be sure, but with time running out the more I can finish the better.

Wednesday, 14 March 2012

Another Day Spent on Capstone

Today I started working on Poe. I was able to finish the background as well as the white. That's always the easiest part, though. Now I have to go in and do the jeans and middle shades. On the bright side, I did get a lot done today, so hopefully I can keep this speed. I've started watching Downton Abbey while I work. It's the perfect show because you can mostly listen to it and my eyes can focus on Poe while my mind can be entertained by the show. Sine the episodes are so long (silly British television), I don't need to worry about messing around with my computer very often which also helps me stay focused on my work.

On another related note, Billy and Janey are completely finished! My father and I put them in their frames last night and they look fabulous. They look very clean and professional. My goal one day (if I never sell them, which a large part of me never wants to) is to hang them up in my study or office of my home. I am proud of my work and I will wish to display them in an area where I will probably see often. The frames for Poe and Byron will be finished tonight, but I will obviously have to wait to put the pieces actually inside the frames because I'm not yet finished. If I keep up my diligent work, I will finish Poe. I just need to concentrate on the determination and drive to do it.

Tuesday, 13 March 2012

Finished Pieces

Here is the finished Billy and Janey:

William Shakespeare

Jane Austen
Now that I have them done, I will work on Edgar Allen Poe next. I still have to do some sketches before I'll do Byron, but I have high hopes for him.

My Progress So Far

Hello from Spring Break!!

My father has finished the frames! They look fantastic and I look forward to using them. He used the PSI board instead of plexiglass for the back, so they're not terribly heavy. I now just have to clean them up a bit (my dad's shop is dusty) and put in my pieces. I think I want to clean them today, but only after I've finished Austen.

Speaking of which, I'm almost done with Jane Austen! If nothing else, I'll be able to come back from spring break with two pieces absolutely finished-- because I can simply put  Billy and Janey in frames. All I have to do is finish Janey's hair, which should take about four more hours or so today. Her face looks great and I really like her. I'll put up a photo as soon as I can, but that involves finding Cameron (my camera) and he's somewhere in all of my stuff I brought home which is still partially packed.

So far, it's been a successful break, and it's only Tuesday!

Friday, 9 March 2012

IT IS SPRING BREAK!!

I have officially finished all of my midterms and am now on spring break. Oh, it's fantabulous. I'm going to spend the entire spring break working on my capstone, and hopefully I will get very far in the project. My goal is to work 8 hours a day (give or take) to do as much work as I possibly can. Then my reward for my hard work will be going to the Cleveland St. Patrick's Day Parade! For many years, I have been in the parade because of being a member of the Murphy Irish Arts Association and I would dance in it. This is the first time in a long time when I get to be in the audience instead of in the parade, so I'm very excited.

Have a great week, I'll be back~!

Monday, 5 March 2012

Soon to be Spring Break

This Friday, I will be heading home for a week of "relaxing" while at home. I use quotation marks because I will be spending the entire break to get as far as possible in my project. In a perfect world, I would be getting as far as possible right now, and I will attempt to work on Austen this week, but since it's midterms, I don't know how much I will finish.

On a bright side, Austen is coming along very well. I've finished her jeans and am working my way steadily towards her face and hair. I have a decent amount of her face covered, but have to go in with different tones and give her face depth. You know, fun stuff. I am still confident I will finish everything with plenty of time.

As for Byron, I met up with my model and have a few new shots to work with. Hopefully, I will also have a new sketch this week of him.

I also spoke to my father yesterday about my frames. He's so awesome that not only is he almost done with  them, but also finished a chair for my sister and a bed frame. Quite the multitasker, if you ask me. I'm very excited ti see how they have turned out and to finally frame my artwork. It should be a good spring break.

Wednesday, 29 February 2012

Quick Update

So today we picked committees and I'll be on TV... again. I'll make sure to put a link up here after I'm done with it. I get to head back to WTAP in Parkersburg to promote the Art Department of Marietta. I've also written a press release for the show, which is as follows:


“Not Formed in a Day: Senior Capstone Exhibition”

Marietta College Art Department proudly presents “Not Formed in a Day: Senior Capstone Exhibition,” which features the works of the graduating seniors in the Art Department. The show will be held at the Hermann Fine Art Gallery, located on the third floor of the Hermann Fine Arts Center on the corner of Butler and Fourth Streets on the Marietta College campus. The exhibition will run from April 13 to May 13, 2012. An opening presentation to celebrate the accomplishments of these seniors is scheduled from 6:00pm until 8:00pm on April 13, 2012.
The thirteen senior artists featured in this exhibition work with a variety of media. Anthony Azzi, from Ashley, Ohio, will present “Sincerity of a Moment,” a figure study commenting on the temporary state of life. Melanie Boyd, from Shrewsbury, West Virginia, is showing “Spruce Knob” identity, map, T-shirts, and signage for a fictional amusement park based on West Virginia tourism and history. Mary Crotty, from South Euclid, Ohio, will display “Literature is Sexy,” which makes literature more appealing by collages of thermal paper. Elizabeth Galloway, from Ravenswood, West Virginia, will show “Willy Shakes,” identity, banner, and programs for the plays of William Shakespeare. Francesca Gionfriddo, from Milton, Massachusetts, will present paintings of the life and story of Anne Boleyn. Misty Gray, from Armstrong Mills, Ohio, will display “Pello Deonte – Elkwood,” an original comic book series and story. Sean Kenny, from Cleveland, Ohio, will show “Fright Fight,” block prints and wrestling posters depicting vintage horror characters. Heather Lang, from Findlay, Ohio, will present “From Hand to Paw,” a treat and toy how-to book and accompanying website. Megan McGregor, from Belle Vernon, Pennsylvania, will display “Desert Rose Ceramics,” a product line of potted plants. Corryn Meunch, from Cold Spring, Kentucky, will show “Modern Monkey,” an environmentally sustainable fast food restaurant concept. Peter Santagate, from Pittsburgh, Pennsylvania, will display graffiti images targeting issues in America. Grace Wang, from Beijing, China, will show “Good Morning,” a line of bridal apparel. Nathan Zarnoski, from Fairview Park, Ohio, will present “Five Elements Miniature Golf Course,” a ceramic model, drawings, and process documentation.
The exhibition is free and open to the public with regular hours Monday through Friday from 9:30am until 5:30pm. Hermann Fine Arts Center is handicapped accessible. Please contact the Marietta College Art Department with any other questions at 740-376-4696.

There you have it. This is not the final press release, just the one I've written because Professor Powell asked all of us to write one. I took some liberties with the language because I am in fact an English major as well, which always gives me a little tick until I make the writing stronger.

On another note, I'm about one third, if not half way finished with Austen. I probably have another 8-10 hours of work and then I will be done with her. My goal will be to finish up Austen this week, Poe the next, and work on Byron for Spring Break. Next week, I have a few papers and exams due, so I may not get very far on Poe, but pretty much as long as I finish them all by the end of March, I should be all right. My goal is to really have them finished by the end of the week after Spring Break (fingers crossed).

Sunday, 26 February 2012

My Outside Critique

So last Thursday, I had my outside critique with Geoff Schenkel. It made me feel a lot better after my all faculty critique on Monday because he was really excited to see my work. We had a great conversation including when he went to Marietta, as well as the direction I was taking with my art. I will have to re-do Byron, and I've already done some sketches for it in Advanced Life Drawing and should be meeting with my original model for Byron tonight (if it works out). I'm actually excited to start over again on Byron because I feel right now he is the weak piece and if I can strengthen him, my whole series will look that much better. At the same time, though, I'm aware I need to keep up and finish Austen and Poe. Therefore, I spent four hours on Austen yesterday and I finished the barcode part of her jeans. It looks pretty spiffy if I do say so myself.

Wednesday, 22 February 2012

Grace's Second Presentation

As a recap, Grace is making two dresses and putting up four or five of her fashion sketches as well. For her installation, she will put the two dresses in front on models which she will borrow from the costume department. On the wall behind the dresses, she will have the five sketches on the wall to show her creativity and to illustrate what she has learned as a Studio Art major. To frame the entire piece, Grace wants to hang red tulle on the wall as curtains. To finish off the installation, she will put the character for happiness on the wall because it's a common character to see at weddings.

It's been awhile since Grace was able to sew in the sewing room because of the plays, so she's slightly behind in sewing. She bought a small sewing machine though, so she'll be able to work on the dresses during spring break. since the last time we saw the wedding dress, Grace had cut off the bottom and added the red around the waist. The second dress will be worked on over the break.

Suggestions:
- Tulle is good, but make is white instead of the red, with only a red ribbon to tie them back. Make sure to order the tulle now because it may take two weeks to get.
- make sure if you're going to put a sketch on the pillar, that it fits well.
     = maybe only have four sketches instead?
- Put the sketches on black matte board or foam core to make them neat and professional.
- Don't just cut out the character; paint or collage it instead. Make sure it fits. Great detail, though.
- You can't cover up the security monitor on the pillar, so keep that in mind when designing your final layout.

This time, Grace's project seems much more focused on the traditions of a Chinese wedding, and the continuous use of red and white make everything flow well together. I think it will be a clean, strong display of Grace's strengths, and I look forward to seeing the finished dresses.

Monday, 20 February 2012

Deep Breaths, the Presentation is Over...

Well, that was overwhelming, to be sure. I think it went well, but man, it was intimidating to stand at the lowest point of the classroom and have not only all of your classmates looking down at you, but the entire Art department faculty staring from the back. I got some decent feedback, but I still have a lot of work ahead of me.

First, I was told to scrap Lord Byron and start over. I groan in protest, but this is my capstone, and I'd rather all four be absolutely spiffy instead of let one drag me down. Good thing I didn't try finishing it then, because then I would have wasted a lot of time. I also like how easy it is to reuse pieces of thermal paper, so it'll be fun to take apart Byron 1 and put together Byron 2. I'll be trying to keep the same pose, but better composition, which will involve pulling back a bit and showing more of Byron's body. I'm going to practice working on the back of the body and do a couple more sketches until I actually begin the new copy, but I'll be working on Austen and Poe as well whenever I go into the Annex.

Second, I got some fantastic feedback about my frames, and I can't wait to see them after my father has built them. I already called him and he was actually on his way to the shop to see if he had everything he needed for them. By the sounds of it, he won't have to buy any supplies because he will use the pieces he already has in storage. I'm sure they'll look great, and he's already thinking of ways to create a white border instead of clear and what type of material to use. He thinks he has some f.p.s, which I guess is a cover for walls to add a decorated finish. I'll be bringing all be pieces home for spring break, and that's when I'll make sure they look smashing in their frames.

I've been feeling a little disconnected as of late. I'm not entirely certain why and it may be caused by my terribly busy schedule, but I'm not sure. To give you an idea, I am currently in 18 credit hours of classes with plenty of homework and reading, with five different grad school applications. I'm also a co-editor of Pulse Literary Magazine, secretary of Scholars Community which is working on recruiting new members, and am in the class putting together the Student Annual Juried Art Show... oh, and I have that nasty art capstone to do. I'm sorry if this sounds like complaining, but I assure you I'm not. I'm aware of all the things I do, and quite frankly, I like being responsible and busy, but it's making graduation look more and more of a relief. I just verified my graduation information, so before I know it, I will have two shiny new degrees!

Sunday, 19 February 2012

My All-Faculty Presentation is TOMORROW.

Oh dear, I'm slightly freaking out. I've set up my presentation and I feel it will go well, but it's still an attack on my nerves.

Here are the pictures about my exhibit:

My small wall
I have two walls, technically, to put my four art pieces.  I really just want to have my pieces, 5" x 7" cards describing the writers depicted, and my artist statement. My goal is to use the exhibit to not only show what I've learned for my techniques, but also what I've been learning in Museum Practices. In that class, we've been writing information cards which are 100-150 words long. I plan on using those words to talk about the writers so that I can teach my audience about the writers and not just leave them with an image.

Large wall
How the frames will look.

Thickness and depth of the frames.

The frames are made up of black wood and plexi-glass. The white sections are the glass, and the black is wood. Top is front. The top piece of plexi-glass protects the piece, and the back piece can either be clear or black. The artwork will be adhered to the back piece of plexi-glass with a 1" border around the edge so that I can show the detail of the edges of the pieces. As mentioned, my father is building these frames, and these plans are not final. I want to check them with the professors to make sure they're decent, and then I'm going to call home and my dad will begin building them this weekend. My plan is to pick them up during spring break.

Wish me luck tomorrow!

Sunday, 12 February 2012

A Very Successful Saturday

Although my plans for Saturday included swimming and playing soccer, I ended up spending most of the day hidden in the basement of the Painting Annex with my music blaring and my fingers covered in charcoal and glue (Note: this is the moment where you think: wow, what a good student). It was an enjoyable amount of time and I was extremely productive. I sketched both Jane Austen and Edgar Allen Poe so now I have all of my pieces officially figured out. All I have left to do is cover them in thermal paper, which I also started doing on Jane.
Poe: he looks a little better now, I was in process when I took this

Austen: also fixed a bit and the background is done.
I've still been struggling with Lord Byron, though. My main concern is out of all of my pieces, his is the most static. Yet at the same time, I want to avoid re-starting him at all costs. His hair alone took four hours to do, and since I already know I'll get to take even longer on Austen's curly locks, I'd rather not have to do Byron again. At the same time, I've been reading a biography about Byron called Byron in Love: A Short Daring Life by Edna O'Brien. What I like the most about it is the style of the book follows a more informal tone, so that instead of simply spewing out the dates and places of Byron's life, O'Brien writes it as if talking about an old friend; chatting up all his affairs and silly little quirks. One such quirk being a lame foot, which I never knew about Byron until reading up on him. He may have been known as the sexiest man alive in the nineteenth century, as long as you don't look at his feet though, I guess.

Ah, but I digress. The point I was trying to make was about Byron's character. Put simply, he fit easily into the "jerk" category. Sure, he liked to go around proclaiming love and going on adventures, but he really only focused on himself. Therefore, it makes sense for him to be in the center of the piece, with his all-knowing little smirk. I feel it's a good representation of his character, but as for the artist in me, it needs... something. I've considered altering the background in some way-- either adding drapery, Greek columns-- which also follow his character, or simply adding new pieces of thermal paper to the background which have a more dynamic composition themselves.
I would like to use these ones for the background, perhaps.

I'm not entirely sure yet, and have been concentrating on my sketches about it or working on the other pieces until I can figure out which way I wish to go. I still need to do an outside critique, so hopefully a new set of eyes can assist me.

Now that I have all of my pieces mapped out though, I can really start thinking about how to display them for the show. As I think I've mentioned, my father has graciously offered to make the frames, which will make them a bit larger, and then I will simply hang them on the wall space I have acquired. I'm not sure of the order, since I have two portrait and two landscape images, but also one female subject, so that might take some thought. I believe I have the time to mull over the small stuff for now, at least until I'm closer to being done with all four. The end is near, my friends, and soon these lovely faces will grace the inner walls of Hermann. I am most excited.
The final four!